BEGIN:VCALENDAR VERSION:2.0 PRODID:SoDel X-WR-CALNAME:Remember When BEGIN:VEVENT UID:61062021-01-02 DTSTART;VALUE=DATE:20210102 SEQUENCE:0 TRANSP:OPAQUE DTEND;VALUE=DATE:20210103 LOCATION:32 Atlantic Avenue #A\nOcean View Delaware 19970 X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=32 Atlantic Avenue #A\nOcea n View Delaware 19970;X-APPLE-RADIUS=49;X-TITLE=32 Atlantic Avenue #A:geo: 38.543327,-75.086769 GEO:38.543327;-75.086769 SUMMARY:Remember When CLASS:PUBLIC DESCRIPTION: \n\nGallery One is pleased to announce the December show\, “Remember\nWhen” open to the public December 2\, 2020 through January 4\, 2021\n\n \n\nAs we approach the end of 2020 and begin the holiday sea son\, it seems\nappropriate timing to relive old memories. And perhaps thi s year\nespecially\, our thoughts turn nostalgic\, remembering simpler tim es. \nThis month’s theme at Gallery One brings a very personal perspect ive\nfrom our artists. A landscape\, or a car\, or even the way a ray of\n light illuminates the ketchup bottle at a hotdog stand is much more\nthan it would appear to the eye on first glance. In artist Leo\nKahl’s waterc olor painting\, “Mustard\, Ketchup & Relish\,”\nmemories of ballgames past\, both with his own dad\, and with his son\,\ncome rushing back.  Th e backlit scene of the setting sun creating a\nglow around a hotdog cart d ispensing memory\, as well as dinner\, stirs\nthe soul. \n\n \n\nBoyhood memories abound in artist Ray Ewing’s oil painting\, “Still\nRunning. ” What appears to be an antique car is actually a boy’s\nmemory of loo king forward each fall to the new car models that would\ncome out each Sep tember. In the early years of automaking each new\nmodel year would be ver y different than the year before stirring\nexcitement each fall. Another e xample of a car that isn’t just a car\nis Joyce Condry’s acrylic paint ing\, “VW Bus.”   This little bus\nlived on the streets Haight-Ashbur y\, travelled across country to\nWoodstock\, hauled beer kegs to the Sigma Chi house\, and finally like\nmany of us\, is enjoying his retirement in Rehoboth Beach. All I can\nsay is\, Cool.\n\n \n\nEileen Olson’s childh ood memories of growing up in Brooklyn in the\n50s are brought to life in her acrylic painting\, “Last Exit to\nBrooklyn.” Many of us kids from previous generations have memories\nof playing outside until mom would yel l us to supper or the\nstreetlights would come on. As a kid Eileen and her sister would jump\nfrom garage roof to garage roof. When they heard mom ’s voice\, they\nwould run home many blocks\, often looking back to catc h the last\nsilhouettes of the houses and stores against the rosy evening sky.\nMichelle Marshall’s acrylic painting\, “Endless Summer\,” shar es a\nsimilar story. Growing up at the beach kids would spend the day layi ng\nin the sand until the very last remains of the setting sun would\nillu minate the surfers heading home after their final ride at dusk. \n\n \n\ nScott Broadfoot’s Oil painting\, “End of the Line\,” executed in\nh is colorful and stylized manner is a mini history lesson.\nFour-Wheeler tr ams were built in the 1900s in Wilmington and they ran\nup and down the co ast between our small towns until 1929. They were\neventually transferred to the Philadelphia Rapid Transit Company\, but\nuntil then they were a co nvenient (and awesome) way to reach the\nbeach. Speaking of the beach\, ar tist Leslie McCaskill’s watercolor\,\n“Beach Blanket” is a beach the med painting that illustrates the\ncircle of life when it comes to family summers at the shore. First\,\nyou’re the little girl who can’t wait t o jump in the ocean\, then\nyou’re the young mother patiently trailing y our little one to set up\ncamp. In “Summer’s End\, Bethany Beach\,” Laura Hickman’s pastel\npainting taken from an old photo shows how the f irst families of\nBethany traveled to the beach before cars. They walked t o the loop\ncanal and boarded the Allie Mae bound for Rehoboth to catch th e train.\nThe ruts were from in the road were from horse drawn carriages t hat\nbrought their luggage.\n\n \n\nMarybeth Paterson’s\, “Keeping Ja mes Farm Memories” in oil\, and\nDale Sheldon’s “Remembering Tuscany ” in acrylic\, are classically\nlovely landscapes that reflect the deepe r memories of fresh air\, walks\nin nature with treasured friends\, and sp ecial places to be discovered\nanew each visit. \n\n \n\nGallery One hop es you will share our memories with us this month. You\nare all treasured friends\, and we look forward to making more memories\nwith you in 2021. G allery One is open daily 10am – 4pm\n\n \n\nGallery One is open 7 days a week The Gallery is always staffed by an\nartist.\n\n \n\nGallery One i s located at 32 Atlantic Avenue\,(RTn26) Ocean View\, DE\,\n302.537.5055\, www.galleryonede.com [http://www.galleryonede.com]  for\nmore informatio n\n\n \n X-ALT-DESC;FMTTYPE=text/html:

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Gallery One is pleased to ann ounce the December show\, &ldquo\;Remember When&rdquo\; open to the public December 2\, 2020 through January 4\, 2021

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< span style=\"text-decoration:none\">As we approach the end of 2020 and beg in the holiday season\, it seems appropriate timing to relive old memories . And perhaps this year especially\, our thoughts turn nostalgic\, remembe ring simpler times. \; This month&rsquo\;s theme at Gallery One brings a very personal perspective from our artists. A landscape\, or a car\, or even the way a ray of light illuminates the ketchup bottle at a hotdog st and is much more than it would appear to the eye on first glance. In artis t Leo Kahl&rsquo\;s watercolor painting\, &ldquo\;Mustard\, Ketchup &\; Relish\,&rdquo\; memories of ballgames past\, both with his own dad\, and with his son\, come rushing back. \; The backlit scene of the setting sun creating a glow around a hotdog cart dispensing memory\, as well as d inner\, stirs the soul. \;\n\n

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Boyhood memories abound in artist Ray Ewing&rsquo\; s oil painting\, &ldquo\;Still Running.&rdquo\; What appears to be an anti que car is actually a boy&rsquo\;s memory of looking forward each fall to the new car models that would come out each September. In the early years of automaking each new model year would be very different than the year be fore stirring excitement each fall. Another example of a car that isn&rsqu o\;t just a car is Joyce Condry&rsquo\;s acrylic painting\, &ldquo\;VW Bus .&rdquo\;  \; This little bus lived on the streets Haight-Ashbury\, tr avelled across country to Woodstock\, hauled beer kegs to the Sigma Chi ho use\, and finally like many of us\, is enjoying his retirement in Rehoboth Beach. All I can say is\, Cool.

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Eileen Olson&rsquo\;s childhood memories of growi ng up in Brooklyn in the 50s are brought to life in her acrylic painting\, &ldquo\;Last Exit to Brooklyn.&rdquo\; Many of us kids from previous gene rations have memories of playing outside until mom would yell us to supper or the streetlights would come on. As a kid Eileen and her sister would j ump from garage roof to garage roof. When they heard mom&rsquo\;s voice\, they would run home many blocks\, often looking back to catch the last sil houettes of the houses and stores against the rosy evening sky. Michelle M arshall&rsquo\;s acrylic painting\, &ldquo\;Endless Summer\,&rdquo\; share s a similar story. Growing up at the beach kids would spend the day laying in the sand until the very last remains of the setting sun would illumina te the surfers heading home after their final ride at dusk. \;< /span>

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Scott Broadfoot &rsquo\;s Oil painting\, &ldquo\;End of the Line\,&rdquo\; executed in his colorful and stylized manner is a mini history lesson. Four-Wheeler trams were built in the 1900s in Wilmington and they ran up and down the coast between our small towns until 1929. They were eventually transferred to th e Philadelphia Rapid Transit Company\, but until then they were a convenie nt (and awesome) way to reach the beach. Speaking of the beach\, artist Le slie McCaskill&rsquo\;s watercolor\, &ldquo\;Beach Blanket&rdquo\; is a be ach themed painting that illustrates the circle of life when it comes to f amily summers at the shore. First\, you&rsquo\;re the little girl who can& rsquo\;t wait to jump in the ocean\, then you&rsquo\;re the young mother p atiently trailing your little one to set up camp. In &ldquo\;Summer&rsquo\ ;s End\, Bethany Beach\,&rdquo\; Laura Hickman&rsquo\;s pastel painting ta ken from an old photo shows how the first families of Bethany traveled to the beach before cars. They walked to the loop canal and boarded the Allie Mae bound for Rehoboth to catch the train. The ruts were from in the road were from horse drawn carriages that brought their luggage.

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Marybeth Paterson&rsq uo\;s\, &ldquo\;Keeping James Farm Memories&rdquo\; in oil\, and Dale Shel don&rsquo\;s &ldquo\;Remembering Tuscany&rdquo\; in acrylic\, are classica lly lovely landscapes that reflect the deeper memories of fresh air\, walk s in nature with treasured friends\, and special places to be discovered a new each visit. \;

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Gallery One hopes you will share our memories with us this month. You are all treasured friends\, and we look forward to making more memories with you in 2021. Gallery One is open daily 10am &ndash\; 4pm

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< span style=\"font-style:normal\">Gall ery One is open 7 days a week The Gallery is always staffed by an artist.< /span>

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Gallery One is located at 32 At lantic Avenue\,(RTn26) Ocean View\, DE\, 302.537.5055\, www.g alleryonede.com \; for more information

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