BEGIN:VCALENDAR
VERSION:2.0
PRODID:SoDel
X-WR-CALNAME:Good Shot Judy
BEGIN:VEVENT
UID:259772025-04-06
DTSTART:20250406T233000Z
SEQUENCE:0
TRANSP:OPAQUE
DTEND:20250406T040000Z
LOCATION:110 Union Street\nMilton DE 19968
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=110 Union Street\nMilton DE
  19968;X-APPLE-RADIUS=49;X-TITLE=110 Union Street:geo:38.778233,-75.310919
GEO:38.778233;-75.310919
SUMMARY:Good Shot Judy
CLASS:PUBLIC
DESCRIPTION:The Swing and the Swagger… It’s hard to nail an exact momen
 t when\nGood Shot Judy came to life. It could have been when brothers Bret
 t\nand Jeff Cahoon stepped away from the success they’d achieved with\nt
 heir punk band Ten Years from Now and chose instead to see what they\ncoul
 d do with the old-time jazz standards they’d admired for so\nlong. The b
 rothers Cahoon formed a small combo\, and – wouldn’t you\nknow it? –
  plenty of others felt the same groove. Or maybe it was\nwhen an inside jo
 ke made a name for itself. Their mother\, Judy Cahoon\,\nis an avid golfer
 \, and just as common as pars and birdies were three\nwords of encourageme
 nt shouted by a supportive friend\, who pumped a\nfist and hollered across
  the fairway every time she took a swing:\n“Good shot\, Judy!” It beca
 me a funny family warble among the\nCahoons – and as it turns out\, a so
 lid band name\, too. Or perhaps\nthat moment of creation arrived when Good
  Shot Judy freed their\npotential energy. Keen to give the classic melodie
 s the respect and\nattention – as well as the power – that it deserved
 \, the Cahoons\nfilled out Good Shot Judy with a full complement of horns\
 , percussion\nand vocals. And magic happened: an ensemble that was bigger 
 than the\nsum of its parts. In a sense\, Good Shot Judy was already in the
  stars\nlong ago\, during those formative decades from the 1930s on\, when
  small\njazz combos\, big brass bands and the crooners who sang on top of 
 them\nwere forging an enduring style and repertoire that would be written\
 ninto the DNA of American music. But really\, all these had a hand in\nmak
 ing Good Shot Judy what is today: a big amp jazz band that sets\nstages af
 lame nationwide. A Good Shot Judy show offers all those tunes\nyou know ju
 st from growing up in American. But the music itself is\nonly part of the 
 band’s allure\; there’s something electric in the\nexecution\, and it
 ’s that vigor that carries the day as much as the\npull of recognition. 
 Good Shot Judy is as close as it comes to an\nintersection between an era
 ’s defining sound and the pleasure of\nenjoying it the way it was meant 
 to be heard. Venue: Milton Theatre.
X-ALT-DESC;FMTTYPE=text/html:The Swing and the Swagger… It’s hard to na
 il an exact moment when Good Shot Judy came to life. It could have been wh
 en brothers Brett and Jeff Cahoon stepped away from the success they’d a
 chieved with their punk band Ten Years from Now and chose instead to see w
 hat they could do with the old-time jazz standards they’d admired for so
  long. The brothers Cahoon formed a small combo\, and – wouldn’t you k
 now it? – plenty of others felt the same groove. Or maybe it was when an
  inside joke made a name for itself. Their mother\, Judy Cahoon\, is an av
 id golfer\, and just as common as pars and birdies were three words of enc
 ouragement shouted by a supportive friend\, who pumped a fist and hollered
  across the fairway every time she took a swing: “Good shot\, Judy!” I
 t became a funny family warble among the Cahoons – and as it turns out\,
  a solid band name\, too. Or perhaps that moment of creation arrived when 
 Good Shot Judy freed their potential energy. Keen to give the classic melo
 dies the respect and attention – as well as the power – that it deserv
 ed\, the Cahoons filled out Good Shot Judy with a full complement of horns
 \, percussion and vocals. And magic happened: an ensemble that was bigger 
 than the sum of its parts. In a sense\, Good Shot Judy was already in the 
 stars long ago\, during those formative decades from the 1930s on\, when s
 mall jazz combos\, big brass bands and the crooners who sang on top of the
 m were forging an enduring style and repertoire that would be written into
  the DNA of American music. But really\, all these had a hand in making Go
 od Shot Judy what is today: a big amp jazz band that sets stages aflame na
 tionwide. A Good Shot Judy show offers all those tunes you know just from 
 growing up in American. But the music itself is only part of the band’s 
 allure\; there’s something electric in the execution\, and it’s that v
 igor that carries the day as much as the pull of recognition. Good Shot Ju
 dy is as close as it comes to an intersection between an era’s defining 
 sound and the pleasure of enjoying it the way it was meant to be heard. Ve
 nue: Milton Theatre.
DTSTAMP:20261028T162317Z
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